Artbridger 贊助計劃體現了我們對藝術家長期發展的承諾。我們的支持不止於商業合作,更涵蓋職業發展所需的專業資源、策展指導及國際交流機會。作為支持藝術實踐持續發展的平台,我們連結藝術家與資深策展人、評論人及藝術市場專業人士,協助他們完善作品體系、梳理創作脈絡,並更好地融入國際藝術生態。透過全球藝術駐留、策展考察、群展機會,以及專題編輯與專業評論,Artbridger 協助藝術家更完整、嚴謹地記錄和呈現自己的藝術實踐,並將作品帶給更廣泛的國際觀眾。我們重視藝術家長期、可持續的創作發展,而非短期的市場回報。
Artbridger 是一個精選平台,合作對象為一批專注的當代藝術家,涵蓋繪畫、雕塑、數碼與綜合媒材。我們的甄選以深入研究為基礎,包括工作室探訪、作品集評審及長期藝術實踐評估。我們關注擁有持續而完整的作品體系、成熟且清晰的視覺語言,並致力於長期職業發展的藝術家。除作品本身的藝術水準外,我們亦會綜合考量展覽經歷、持續創作能力,以及參與國際項目的準備程度。
Artbridger 協助藝術家拓展本地市場以外的機會,建立長遠的國際藝術事業。我們提供邁向下一階段所需的核心工具、專業指導及全球網絡。加入 Artbridger,你將有機會連結精心策劃的實體及線上展覽、畫廊合作項目,以及國際藏家網絡。我們不只展示你的作品,更透過具針對性的媒體曝光、專題內容及專業顧問支援,持續推動你的藝術實踐。透過 Artbridger,你可以獲得建立長遠、可持續藝術事業所需的曝光機會、商業連結及持續支援。

Carl Fredrik Reuterswärd’s Non-Violence sculpture series is a masterclass in the power of visual metaphor—a revolver with its barrel knotted, rendered instantly impotent, both absurd and profound. Created in the wake of John Lennon’s assassination at the request of Yoko Ono, Reuterswärd’s work transforms a symbol of violence into a universal call for peace, humor, and hope. The artist himself once said, “Humor is the best tool we have to bring people together. When I created my peace symbol, I thought about how important it was to include some humor, just so that my 'weapon' would become symbolically ridiculous and completely useless”6. That knotted gun, standing sentinel outside the United Nations, is more than a monument—it’s a challenge to the world: can we disarm not just our weapons, but our hearts and minds?
About the artist
What’s remarkable is how Reuterswärd’s Non-Violence has multiplied, now appearing in cities across the globe, from Berlin to Malmö, each version quietly insisting on the same message. The sculpture’s genius lies in its simplicity and accessibility—anyone, anywhere, can grasp its meaning in an instant. It’s art that doesn’t hide behind abstraction or elitism; it’s a visual language of peace, born out of grief but refusing to surrender to despair. In a world that often feels knotted by conflict, Reuterswärd’s work remains a beacon, reminding us that even the most entrenched symbols of violence can be reimagined, reworked, and, ultimately, undone.
