
Almagest_Equilibrium_Undertaker
30 x 20 cm | 12 x 8 in
2024

This artwork presents a dense, vertically structured cosmology, built around a large central void that immediately draws the eye into a field of instability and suspended meaning. The composition is layered with mythic and celestial forms, with the upper register evoking a human-centred model of the universe, surrounded by entangled bodies and atmospheric currents that suggest a constructed order. Around the empty centre, a ring of figures appears to sustain a fragile equilibrium, as if alternate dimensions, concepts, and states of reality are being held in suspension. The lower register gathers minor deities and undertakers in scenes of labour, debate, and collective presence, suggesting a dispersed and unstable sentience. The warm orange and red accents interrupt the black-and-white surface, intensifying the sense of tension and fragmentation while reinforcing the work’s sculptural rhythm. Across these strata, the image speculates on alternative orders of existence, where material, conceptual, and intangible states intersect, and where balance between opposing forces becomes necessary for processes of formation and manifestation. The work resists a single narrative, instead presenting a charged visual field in which excess, abstraction, and cosmology remain in continual negotiation.

顶层包含《天文学大成》,这是托勒密提出的以人类为中心的宇宙观,由太阳系其余实体装饰。中间是无形和概念的神灵,他们维护着平行维度和现实之间的平衡。底层是小神灵和殡葬者,他们正在辩论、工作和庆祝感知。 我试图推测控制着通行和存在的替代秩序;为了使行进和表现正常运作,需要在极端之间保持平衡。任何失衡都将导致灾难性的后果,甚至连神都无法挽救,每个人都会受到影响,而不仅仅是肇事者。 这幅画的风格受到极端美学的影响,旨在征服观众,鼓励他们仔细观察我的画作,同时也消除了叙事的需要。正是出于这个动机,我试图反驳上面提到的信息。
