Created By
Reka Nyari
Archival Pigment Prints on Acid Free Paper. Editions 2/8 + 2 AP
Curator
Luke Chapman
Reka Nyari’s “My Erikae” from the Ginzilla series is a nuanced meditation on rites of passage and the choreography of selfhood, where the subject’s tattooed form becomes both a vessel of tradition and a canvas for radical reinvention. Nyari’s composition elegantly references the erikae—the symbolic collar-turning ceremony marking a geisha’s transition—while subverting its conventions through the bold language of contemporary body art. The photograph’s academic clarity is enlivened by a subtle beat sensibility, a quiet pulse of rebellion that animates the ritual with new meaning. With only a few editions remaining in select sizes due to high demand, “My Erikae” stands as a rare and evocative artifact—a visual testament to transformation, agency, and the enduring poetry of inked identity.
Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly strict conservative-values. The effect was suffocating to her wild heart, engendering acts of rebellion perhaps most visible as the arresting marks of defiance, written in permanent-ink on the canvas of her body. These images tell the story of her life; illustrations of tigers, wolves, and dragons contrast societal expectations of female submission and obedience. Ginzilla’s first lover was a tattoo artist, a predilection which has guided her sexual journey. All of her body-art was composed and executed by lovers, compounding its personal meaning to her,while providing a veritable map of her life. Edgy, raw, and resilient, Nyari depicts her subject as a woman whose sexuality is defined independent of a man. These dynamic photographs re-envision traditional concepts of femininity by juxtaposing the symbolism of the Japanese ‘Geisha’ with that of Yakuski (Japanese gangster) tattoos (Irezumju). Irezumju tattoos require a painful, meticulous method of manually inserting needles into the skin. Associated with the criminal activity of the Yakuski gangs, members would brand themselves with Irezumi tattoos. Due to its painful process, Irezumju is considered a mark of the recipient’s bravery, and evidence of their insubordination. Despite the widening trend of tattoos among non-yakuza, they still carry a significant stigma in Japanese society. In presenting her work as exquisitely crafted, large-scale photographs, Nyari elevates her model to that of Goddess, or perhaps, the Virgin Mary, subverting concepts of purity and sexuality, religion and sin. She is presented for the viewer’s meditative contemplation as a symbol of strength, defiance, and unapologetic female desire; her body on-display for worship, the tattoos adorning it, as ifprayer beads of a rosary. GEISHA INK tells the intoxicating story of Ginzilla, revealing and subverting female archetypes through a visual exploration of sexuality, taboos, eroticism and culture.
Created By
Reka Nyari
83 x 59 cm | 33 x 23 in
Wooden box frame with 3" white border
