Created By
Maria Marshall
Acrylic on canvas performance painting
Curator
Luke Chapman
This lighter palette transforms the energy of the series, shifting from the earthy urgency of its terracotta counterpart to something more contemplative and ethereal. It's as if we're witnessing the same human drama played out in a different dimension – one where gravity and time operate under different rules. The result is a piece that floats between the physical and spiritual realms, inviting viewers to consider their own relationship with space, movement, and the ephemeral nature of human experience.
In this ethereal iteration from Marshall's "Blindfold Series," we witness a radical shift in emotional temperature through the artist's masterful use of a cool, aqueous palette. The pale blue-green surface, reminiscent of oxidized copper or ancient sea glass, creates an almost dreamlike stage for Marshall's choreography of linear figures. The work maintains the distinctive matrix of punctured dots that characterizes the series, but here they take on a different personality – like rusty stars piercing through a misty morning sky. These oxidized perforations create a deliberate tension with the serene background, their warm rust tones bleeding subtly into the cooler surface like distant memories refusing to fade. Marshall's figures, etched with an assured yet economical hand, appear to float more freely in this celestial-like space. The linear quality of the figures achieves a remarkable weightlessness against the ethereal background, suggesting both movement and stasis simultaneously. The central figure, caught mid-stride, appears to be leading a procession through this metaphysical plane, while others seem suspended in various states of contemplation or transition. What's particularly striking in this piece is how Marshall manipulates the surface texture to create subtle variations in depth and luminosity. The edges of the work, where traces of rust and darker tones gather, frame the composition like an ancient document emerging from the mists of time. Yet the technique feels utterly contemporary, speaking to modern concerns about memory, movement, and the traces we leave behind.
Created By
Maria Marshall
185 cm | 73 in
2024