Created By
Fumani Maluleke
Acrylic on reed mat (Framed and mounted)
Curator
Luke Chapman
Maluleke’s “Kokwani na Ntukulu” is a testament to the power of storytelling through art. The grass mat serves as a metaphorical bridge between utility and artistry, grounding the piece in its rural origins while elevating it into a realm of cultural introspection. The figures—one stooped in labor, the other draped in vibrant fabric—are more than mere subjects; they are archetypes of resilience and connection. This work hums with quiet energy, speaking to the universal rhythm of toil, care, and legacy. As I reflect on this piece, I am reminded of the profound impact that art can have on our understanding of human connection. Maluleke doesn’t just paint; he excavates stories from his village in Thomo—a place where landscapes aren’t just seen but felt, where grass mats cradle memories instead of bodies. “Kokwani na Ntukulu” is a gentle hymn to heritage that asks us to pause and listen to the wisdom embedded in everyday life.
Kokwani na Ntukulu (Grandmother and Grandchild) is a poignant exploration of generational connection and cultural heritage. Painted on a grass mat—a medium deeply rooted in South African tradition—the piece weaves together acrylics with the natural fibers of the mat, creating a dialogue between the ephemeral and the enduring. The scene unfolds in muted earth tones, punctuated by vibrant hues, depicting figures engaged in agricultural labor amidst a sprawling landscape. The mat, that would be a resting place for bodies, now cradles the weight of narrative and memory, transforming into a visual tapestry where past and present converse. Maluleke’s choice of medium anchors the work in his rural upbringing, while the imagery invites viewers to reflect on the cyclical nature of life and wisdom passed through generations.
Created By
Fumani Maluleke
110 x 130 cm | 43 x 51 in
2025
