Created By
Takashi Hara
Acrylic pastel and crayon on canvas
Curator
Luke Chapman
This is a piece that rewards prolonged viewing, revealing new details and emotional resonances with each encounter. The more you look, the more you feel that perhaps being "lost" in spring isn't about disorientation at all, but about surrendering to the season's transformative power.
There's something profoundly poetic about how Hara's "Lost in Spring" captures the sublime disorientation of the season. Here, our familiar black figure with its distinctive orange eye appears more grounded, yet paradoxically more vulnerable, standing amid a tempest of spring colors. The composition is brilliantly structured, with the lower portion anchored by deeper blues that gradually dissolve into an ethereal pink atmosphere. Hara's technique here shows a masterful control of chaos – the splatter work creates a sense of movement that sweeps upward, carrying our eye through the piece like a spring wind. What's particularly striking is the tension between the figure's solidity and the ephemeral nature of its surroundings. The black silhouette appears more defined than in other works, yet somehow more lost – a beautiful contradiction that speaks to the human experience of feeling simultaneously present and adrift in moments of overwhelming beauty. The color palette is pure hanami – cherry blossom viewing – but abstracted into its emotional essence. Those splashes of yellow and orange punctuate the predominantly pink and blue composition like early spring sunshine breaking through clouds. The effect is less about depicting spring literally and more about capturing its emotional impact on the psyche. Hara's signature red seal in the bottom left corner grounds the piece in Japanese artistic tradition, while the contemporary treatment of space and form pushes it firmly into the modern era. This duality perfectly mirrors the theme of being lost – caught between tradition and modernity, between grounding and floating, between solidity and dissolution.
Created By
Takashi Hara
64 x 77 cm | 25 x 30 in
2024