Artbridger x Soho House at Art Central

Artbridger and Soho House Hong Kong are presenting Elsa Jeandedieu's latest works, alongside those of Kaki So, Ghanem Hassan, William Tong, and Wai Hong, at Art Central 2025.

No way to be good

Hong Wai's latest exhibition, now making its triumphant return to Hong Kong after successful runs in Paris and Taipei, is a dazzling testament to the artist's ability to weave together disparate cultural threads.

Discover Ane Alfeiran

Ane Alfeirán – (Mexico City, 1987) is a self-taught artist with a global perspective forged during her 13 years of residence and work in Asia.

Curated contemporary art: Where emerging talent meets established voices, building tomorrow's collecting community

Highlighted articles

Curator's Selections

Luke Chapman

Chapman’s approach is rooted in the belief that art should be accessible to all.

Hong Kong Express series, "No way to be good" (蕾絲書法—沒有辦法做乖乖)

by Luke Chapman

The use of lace as ink is particularly poignant; it transforms traditional calligraphic practices into a contemporary dialogue about identity and memory. Each piece in the series not only serves as a tribute to the past but also engages with ongoing conversations about cultural heritage, nostalgia, and the complexities of modern life in Hong Kong.

  • Ester lace sculpture
  • 100.0 x 155.0 cm x 20.0 cm (39.37 x 61.02 in x 7.87 in)

HKD 55,000

More Dim Sum

by Luke Chapman

In Francesco Lietti's latest series, we encounter a masterful convergence of Hong Kong's pulsing urban energy and his distinctive mixed-media approach. This particular piece - executed in his signature combination of media with resin on canvas - captures the city's verticality with an almost jazzy rhythm, the buildings swaying like notes on a modernist score.

  • mixed media and epoxy resin on canvas
  • 90.0 x 60.0 cm (35.43 x 23.62 in)

HKD 33,000

The real perception of a Japanese princess

by Luke Chapman

  • Acrylic and Chinese ink on canvas
  • 240.0 x 160.0 cm (94.49 x 62.99 in)

HKD 121,000

Wayfinding 2

by Luke Chapman

"Wayfinding 2" continues the artistic exploration of industrial landscapes with a remarkable shift in emotional tenor from its companion piece. Where the previous work employed cool teals, this painting introduces a warm, almost nostalgic palette that transforms industrial architecture into something approaching the sublime. The rose-gold atmospheric treatment suggests either dawn or dusk—transitional moments when ordinary structures take on extraordinary qualities. This temporal ambiguity serves the painting's conceptual foundations, suggesting that our perception of industrial landscapes shifts with context and perspective. The golden navigational lines create visual pathways through the composition while simultaneously referencing lighthouse beacons, search lights, and perhaps even divine illumination—asking viewers to reconsider these utilitarian structures as potential sites of transcendence. What distinguishes this work is its sophisticated negotiation between documentary impulse and emotional response. The artist maintains the recognizable features of industrial architecture while elevating them through atmospheric treatment and compositional devices. This approach resists both naive romanticism and cynical critique, instead occupying a nuanced middle ground that acknowledges the complex legacy of industrialization. For collectors interested in contemporary landscape painting, "Wayfinding 2" offers an important meditation on how we navigate environments that are simultaneously human-made and beyond human scale. The work succeeds in finding unexpected beauty in utilitarian structures while acknowledging their cultural and environmental implications. Through this romantic-industrial aesthetic, the artist invites viewers to reconsider spaces typically overlooked in traditional landscape painting traditions.

  • Acrylic on canvas
  • 150.0 x 100.0 cm (59.06 x 39.37 in)

HKD 99,000

Artists

Accelerate your art career

Got questions? Read our FAQs
Collectors

Collect curated art today

Got questions? Read our FAQs